shouldn't be made . You know... they're just ... as important as... um doctors, and priests ... or maybe not as important sometimes, and yet they have this huge aura of almost god-like quality about them, just because their craft makes a lot of money. And at the same time it is a forced importance — you know, football stars and theatre stars — It is man-made so the press can feed off it. .
I do think I go out of my way to be a very normal person and I just find it frustrating that people think that I'm some kind of weirdo reclusive that never comes out into the world. Y'know, I'm a very strong person and I think that's why actually I find it really infuriating when I read, 'She had a nervous breakdown' or 'She's not very mentally stable, just a weak, frail little creature'. .
There were so many times I thought, "I'll have the album finished this year, definitely, we'll get it out this year." Then there were a couple of years where I thought, "I'm never gonna do this." If I could make albums quicker, I'd be on a roll wouldn't I? Everything just seems to take so much time. I don't know why. Time... evaporates. .
There was a story that some EMI execs had come down to see you and you'd said something like: "Here's what I've been working on," and then produced some cakes from your oven. True? "No! I don't know where that came from. I thought that was quite funny actually. It presents me as this homely creature, which is all right, isn't it?" .
For the last 12 years, I've felt really privileged to be living such a normal life. It's so a part of who I am. It's so important to me to do the washing, do the Hoovering. Friends of mine in the business don't know how dishwashers work. For me, that's frightening. I want to be in a position where I can function as a human being. Even more so now where you've got this sort of truly silly preoccupation with celebrities. Just because somebody's been in an ad on TV, so what? Who gives a toss? .
I think probably the only thing that is around in these songs is that I was really lonely when I wrote a lot of them. But it was really by my own choosing because I was devoting myself to songwriting and dancing and I wasn't really going out and seeing people. .
I read an interview with her one time, where she was asked, something along the lines of Why do you write from the perspective of a lot of characters? and she said very simply and eloquently because theyre more interesting than I am.Annie Clark AKA St. Vincent .
Creativity comes from the freedom to fail. And freedom to fail comes from experimentation, and thats what gives something its individuality. And, you know, I think her courage, which is the positive way of interpreting it, or bloody-mindedness, which is the negative, is part of what gives her real value as an artist.Peter Gabriel .
Its funny no one ever applies the term progressive rock to Kate Bush, but to me its prog. Its the same think I love about the best prog, its like, the really sort of brash stuff, people showing technical ability, I have no interest in, but the experimental dreamy stuff, that sort of came from many places at once, I set her stuff next to, well next to Janis, is the obvious comparisonGuy Garvey .
I was teaching at the Dance Centre in Covent Garden. Kate turned up, dressed very properly in her ballet tights and things, and her hair straight back, looking very, very professional indeed, a very, very serious student. But as timid as hell, and of course she took a place at the back of the class, you know, I had to coax her forward. I mean she was extremely shy, extremely timid, and of course the first thing I had to do was, you know, bring her out of herself, give her courage. I have to say that once Kate actually started dancing, she was a wild thing, she was wild.One day, some months after knowing her, I got back to my homeand there was this LP pushed under the door, The Kick Inside — and there, dedicated to me was this beautiful song Moving — I didn’t know she had any aspirations of being a singer. She never talked about herself.Lindsay Kemp .
I had a listen, I was intriguedby this strange voice, and I went to her house, met her parents down in Kent, and she played me, it must have been forty or fifty songs, on tape, and I thought, I should try to do something.We were making — Pink Floyd was making the Wish You Were Here album, and I think we had the record company people down at Abbey Road, in number 3, and I said to them Do you want to hear something Ive got? And they said sure, so we found another room, and I played it to them, The Man with the Child in His Eyes, and they said Yep, thank you – well have it.David Gilmour, on first hearing 15 year old Kates demo tapes, and meeting with her. .
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