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Marilyn Hacker

The ambiguities of language, both in terms of vocabulary and syntax, are fascinating: how important connotation is, what is lost and what is gained in the linguistic transition.

— Marilyn Hacker language

Good writing gives energy, whatever it is about.

— Marilyn Hacker writing

Clearly, once the student is no longer a student the possibilities of relationship are enlarged.

— Marilyn Hacker relationship

Everyone thinks they're going to write one book of poems or one novel.

— Marilyn Hacker poem

Paris is a wonderful city. I can't say I belong to an especially anglophone community.

— Marilyn Hacker wonder

There is something very satisfactory about being in the middle of something.

— Marilyn Hacker being

I worked at all kinds of jobs, mostly commercial editing.

— Marilyn Hacker work

The pleasure that I take in writing gets me interested in writing a poem. It's not a statement about what I think anybody else should be doing. For me, it's an interesting tension between interior and exterior.

— Marilyn Hacker writing

We sometimes received - and I would read - 200 manuscripts a week. Some of them were wonderful, some were terrible; most were mediocre. It was like the gifts of the good and bad fairies.

— Marilyn Hacker time

You are almost not free, if you are teaching a group of graduate students, to become friends with one of them. I don't mean anything erotically charged, just a friendship.

— Marilyn Hacker friendship

The woman poet must be either a sexless, reclusive eccentric, with nothing to say specifically to women, or a brilliant, tragic, tortured suicide.

— Marilyn Hacker women

Translation is an interestingly different way to be involved both with poetry and with the language that I've found myself living in much of the time. I think the two feed each other.

— Marilyn Hacker poetry

I don't know whether a poem has be there to help to develop something. I think it's there for itself, for what the reader finds in it.

— Marilyn Hacker self

As a teacher you are more or less obliged to pay the same amount of attention to everything. That can wear you down.

— Marilyn Hacker you

Community means people spending time together here, and I don't think there's really that.

— Marilyn Hacker time

The pull between sound and syntax creates a kind of musical tension in the language that interests me.

— Marilyn Hacker music

Given the devaluation of literature and of the study of foreign languages per se in the United States, as well as the preponderance of theory over text in graduate literature studies, creative writing programs keep literature courses populated.

— Marilyn Hacker writing

I have experienced healing through other writers' poetry, but there's no way I can sit down to write in the hope a poem will have healing potential. If I do, I'll write a bad poem.

— Marilyn Hacker hope

I lived in the studio apartment that I bought for four years before I bought it in 1989, so I was already in it. I began living there in 1985, so I've had the same address and phone number since then.

— Marilyn Hacker art

I try to write everyday. I do that much better over here than when I'm teaching. I always rewrite, usually fairly close-on which is to say first draft, then put it aside for 24 hours then more drafts.

— Marilyn Hacker teaching

My mother was told she couldn't go to medical school because she was a woman and a Jew. So she became a teacher in the New York City public school system.

— Marilyn Hacker man

Of the individual poems, some are more lyric and some are more descriptive or narrative. Each poem is fixed in a moment. All those moments written or read together take on the movement and architecture of a narrative.

— Marilyn Hacker men

There is a way in which all writing is connected. In a second language, for example, a workshop can liberate the students' use of the vocabulary they're acquiring.

— Marilyn Hacker writing

When you translate poetry in particular, you're obliged to look at how the writer with whom you're working puts together words, sentences, phrases, the triple tension between the line of verse, the syntax and the sentence.

— Marilyn Hacker poetry

I started to send my work to journals when I was 26, which was just a question of when I got the courage up. They were mostly journals I had been reading for the previous six or seven years.

— Marilyn Hacker art

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