From a completely financial standpoint, digital is starting to crack as far as an independent filmmaker's access to getting your story out there - Amazon, iTunes, all of those. It makes the prospect of doing it yourself - not easy by any means - but possible, maybe for the first time. .
I'm only interested in science fiction that's used as a literary device, a shortcut into something more exploratory or universal about our experience. That's why I think it was invented and why mythology was invented; it's a tool, not an end to itself. .
'Upstream Color' in particular, it's got to infect culture at some level in order to have a life of its own. Then it'll be judged, and it'll either live or it won't by its own merit, and history will decide whether it's relevant however long into the future. I think that's more than enough to hope for. .
Any film that exists that is thorough, you can't give it to an audience of one and have that be effective communication. Communication involves an audience of many that have a conversation, put it through the ringer, filter it and then a sense of it coalesces. .
As a viewer, that's work I respond to - work that I know is singular in some way. If I'm being challenged by something on screen, if I don't quite know why it's happening, I want to know I can do the work of pulling it apart and that there'll be something satisfactory about it. If the architecture is sound, you can be lyrical in execution. .
Maybe you are looking for Shane Carruth quotes, Shane Carruth sayings?
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