The public has always, and in every age, been badly brought up. They are continually asking Art to be popular, to please their want of taste, to flatter their absurd vanity, to tell them what they have been told before, to show them what they ought to be tired of seeing, to amuse them when they feel heavy after eating too much, and to distract their thoughts when they are wearied of their own stupidity. Now Art should never try to be popular. The public should try to make itself artistic. There is a very wide difference. .
If a man approaches a work of art with any desire to exercise authority over it and the artist, he approaches it in such a spirit that he cannot receive any artistic impression from it at all. The work of art is to dominate the spectator: the spectator is not to dominate the work of art. The spectator is to be receptive. He is to be the violin on which the master is to play. And the more completely he can suppress his own silly views, his own foolish prejudices, his own absurd ideas of what Art should be, or should not be, the more likely he is to understand and appreciate the work of art in question. .
Man cannot will unless he has first understood that he must count on no one but himself; that he is alone, abandoned on earth in the midst of his infinite responsibilities, without help, with no other aim than the one he sets himself, with no other destiny than the one he forges for himself on this earth. .
Your crystal? That’s silly. Whom do you think you are fooling? Come on, everyone knows that I threw the baby out of the window. The crystal is shattered on earth, and I do not care. I am no longer anything but a skin, and my skin does not belong to you. .
Cartesian, adj. Relating to , a famous philosopher, author of the celebrated dictum, Cogito ergo sum -- whereby he was pleased to suppose he demonstrated the reality of human existence. The dictum might be improved, however, thus: Cogito cogito ergo cogito sum -- "I think that I think, therefore I think that I am;" as close an approach to certainty as any philosopher has yet made. .
Land, n. A part of the earth's surface, considered as property. The theory that land is property subject to private ownership and control is the foundation of modern society, and is eminently worthy of the superstructure. Carried to its logical conclusion, it means that some have the right to prevent others from living; for the right to own implies the right exclusively to occupy; and in fact laws of trespass are enacted wherever property in land is recognized. It follows that if the whole area of terra firma is owned by A, B and C, there will be no place for D, E, F and G to be born, or, born as trespassers, to exist. .
I am sure it would be sensible to restrict as much as possible the work of these gentlemen, who are capable of doing an immense amount of harm with what may very easily degenerate into charlatanry. The tightest hand should be kept over them, and they should not be allowed to quarter themselves in large numbers among Fighting Services at the public expense. .
The essence of good House of Commons speaking is the conversational style, the facility for quick, informal interruptions and interchanges. Harangues from a rostrum would be a bad substitute for the conversational style in which so much of our business is done. But the conversational style requires a fairly small space, and there should be on great occasions a sense of crowd and urgency. There should be a sense of the importance of much that is said and a sense that great matters are being decided, there and then, by the House. ... It has a collective personality which enjoys the regard of the public, and which imposes itself upon the conduct not only of individual Members but of parties. .
The House of Commons has lifted our affairs above the mechanical sphere into the human sphere. It thrives on criticism, it is perfectly impervious to newspaper abuse or taunts from any quarter, and it is capable of digesting almost anything or almost any body of gentlemen, whatever be the views with which they arrive. There is no situation to which it cannot address itself with vigour and ingenuity. It is the citadel of British liberty; it is the foundation of our laws; its traditions and its privileges are as lively today it broke the arbitrary power of the Crown and substituted that Constitutional Monarchy under which we have enjoyed so many blessings. .
You might however consider whether you should not unfold as a background the great privilege ofand trial by jury, which are the supreme protection invented by the English people for ordinary individuals against the state. The power of the Executive to cast a man in prison without formulating any charge known to the law, and particularly to deny him the judgment of his peers is in the highest degree odious and is the foundation of all totalitarian government, whether Nazi or Communist. .
It excites world wonder in the Parliamentary countries that we should build a Chamber, starting afresh, which can only seat two-thirds of its Members. It is difficult to explain this to those who do not know our ways. They cannot easily be made to understand why we consider that the intensity, passion, intimacy, informality and spontaneity of our Debates constitute the personality of the House of Commons and endow it at once with its focus and its strength. .
The Chinese said of themselves several thousand years ago: “China is a sea that salts all the waters that flow into it.” There’s another Chinese saying about their country which is much more modern—it dates only from the fourth century. This is the saying: “The tail of China is large and will not be wagged.” I like that one. The British democracy approves the principles of movable party heads and unwaggable national tails. It is due to the working of these important forces that I have the honour to be addressing you at this moment. .
When we reflect upon the brutal vices of these salt-water bandits, pirates as shameful as any whom the sea has borne, or recoil from their villainous destruction and cruel deeds, we must also remember the discipline, the fortitude, the comradeship and martial virtues which made them at this period beyond all challenge the most formidable and daring race in the world. .
Many a one commits a reprehensible action, who is at bottom an honourable man, because man seldom acts upon natural impulse, but from some secret passion of the moment which lies hidden and concealed within the narrowest folds of his heart. .
Welcome to the website of quotes, you are in the category art quotes. Just below, you can choose your favorite quote or share it. Here you can see best art quotes ever! Some people confused words and write words, likes art qoute or art qoutes but it's not important, because we have the best search engine ever! If you like random quotes then you can use our catalog. Also we are nice place for cute quotes and famous art quotes. Dou you use our search field for finding quotes on art? Try it! Share greatest art sayings with your friends and enjoy!Next
|101sharequotes on Facebook101sharequotes on Google+||Quotes