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But actually, he thought as he re-adjusted the Ministry of Plenty's figures, it was not even forgery. It was merely the substitution of one piece of nonsense for another. Most of the material that you were dealing with had no connexion with anything in the real world, not even the kind of connexion that is contained in a direct lie. Statistics were just as much a fantasy in their original version as in their rectified version.
As a fantasy writer, he was not highly regarded (“one cannot call him profoundly mediocre without venturing so far out on the critical limb as to bend it to the ground,” “so derivative that the reader loses track of who he’s ripping off,” “to say he is tin-eared would render a disservice to a blameless citizen of the periodic table of the elements”).
To be matter of fact about the world is to blunder into fantasy — and dull fantasy at that, as the real world is strange and wonderful.
IF we are to replace standard numerical probability usage with engineering judgment, why do we find such an enormous disparity between the management estimate and the judgment of the engineers? It would appear that, for whatever purpose, be it for internal or external consumption, the management of NASA exaggerates the reliability of its product, to the point of fantasy.
...our Lord satisfies the stomach before the eye, but fantasy does just the opposite.
Her ivory hands on the ivory keys Strayed in a fitful fantasy, Like the silver gleam when the poplar trees Rustle their pale leaves listlessly Or the drifting foam of a restless sea When the waves show their teeth in the flying breeze.
"Couples should explore their mutual fantasies." There's no such thing as a mutual fantasy. Yours bore us; ours offend you.
pull-the-plug, slice the pie - a fantasy in which an offspring mentally tallies up the net worth of his parents. (page 137)
They say the first World Series is the one you remember most. No, no no. I guarantee you don't remember that one because the fantasy world you always dreamed about is suddenly real.
I'm not constrained by being a genre writer. Any story I can imagine, I can cast as a fantasy novel and probably get it published.
I do have a small collection of traditional SF ideas which I've never been able to sell. I'm known as a fantasy writer and neither my agent nor my editors want to risk my brand by jumping genre.
The idea of it becomes a little freaky if you're dealing with someone who has trouble differentiating between fantasy and reality, but that's a concern no matter what kind of movie you're dealing with.
I have always had this secret fantasy of being a Bourne girl or Bond girl, and I've never even gotten called in on one of those roles.
Nature is my springboard. From her I get my initial impetus. I have tried to relate the visible drama of mountains, trees, and bleached fields with the fantasy of wind blowing and changing colors and forms.
All of the problems we're facing with debt are manmade problems. We created them. It's called fantasy economics. Fantasy economics only works in a fantasy world. It doesn't work in reality.
Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.
In the fantasy, sci-fi world, the fans are so discerning and they're so tough and they're so intelligent, and they're so critical.
'Game of Thrones' has multiple story lines, multiple countries, and it's complete fantasy.
Out of the 72 kids that I went to high school with, I still talk to 25 of them on a fairly regular basis. Seven of my classmates live in L.A., and five of them are in the entertainment business, and we constantly talk and play fantasy football together.
I don't feel there's any reason to apologise for having a wicked imagination. I think it's important as a maker of fantasy and of horror.
I think the most important technique is to ground everything, to make everything - to make fantasy world grounded and relatable, just great characters.
About half my designs are controlled fantasy, 15 percent are total madness and the rest are bread-and-butter designs.
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